“Neckties, ascots or cravats, gentlemen,
as well as jackets, are required in the dining room of Brown's Hotel.” My
brother and I, bringing up the rear of the family contingent passing into the
dining room, had been stopped in mid stride by the maitre d'hotel with an index
finger planted firmly in each sternum. Tastefully clad in Harris tweed jackets
atop new Merino sweaters over crisp Oxford collars open at the throat, we'd
somehow neglected neck-wear, assuming, as we might have the world over, that
sweaters trumped the need for further cervical adornment. The family had been
ushered off amidst much pomp and fuss to a far table by the kitchen where my
father could be heard inquiring about the pedigree of the gin while our smarmy
tormentor led us aside to a small alcove. There, at the epicenter of the land
of the Liberty Print, he reached into a closet and produced two ties of such
vibrant and chaotic polychrome as to be best described as Vintage Jackass.
These we dutifully slipped on, and, centering the knots carefully, tucking the
rest beneath our sweaters, we presented with just a touch of eye-roll. “ Just
so,” he deftly slid a forefinger beneath each knot and flipped the ties back
out atop our sweaters. Turning back towards his guests, he offered as a parting
shot, “ … a pair of hairnets or barrettes, should you find it perhaps more
comfortable to bind your flowing locks.”
We were on the final three-day leg of the
Grand Tour which had begun a week earlier at daVinci Airport under the watchful
gaze of hundreds of Carabinieri armed to the teeth as a hedge against the
current fashion for airline hijacking. Dad had pulled out all the stops for
this trip and we were met by a man with a sign that might have read “ McFaggio”
and whisked away at high speed to the Hotel d'Inghilterra. While my brother and
I drifted about the Via del Corso hounded by three-note shepherd pipers and
mimes, my father badgered room-service for such American staples as Scotch Tape
and construction paper with which to assemble an elaborate Christmas tree he
then taped to the vintage wallpaper of their suite. That night we dined at
Alfredo where my father immediately asked to see Alfredo himself. The waiter
produced an elderly gentleman who may or may not have been Alfredo but
nonetheless made a fairly convincing show of remembering my father dining there
while awaiting the birth of his eldest son some nineteen years earlier. It was
at Ristorante Alfredo that we established the tortuous gustatory regimen that
would follow us through three cities and render my father nearly apoplectic at
every meal: I, as a vegetarian, would scan the menu for any entre that might be
meatless – in this case the eponymous Fettuccine - entirely forgoing the
specialties offered by Europe's finest eateries; my brother would inevitably
order an assortment of the most expensive items and my sister would demand
Ketchup, get three bites into her dinner and announce that she felt sick and
needed to throw up. Between tremulous meals we stood beneath a balcony near the
Tiber and gazed up at the apartment my parents lived in when my brother was
born, hit the Colosseum and the Catacombs, went to St Peter's to catch the
Pope, checked out the Duomi at Sienna and San Gimignano and, as quickly as we'd
arrived, boarded the night train for Paris, pockets stuffed with palmieri and
bitter oranges.
HISTORY OF ALFREDO DI LELIO CREATOR IN 1908 OF “FETTUCCINE ALL’ALFREDO” (“FETTUCCINE ALFREDO”), NOW SERVED BY HIS NEPHEW INES DI LELIO, AT THE RESTAURANT “IL VERO ALFREDO” – “ALFREDO DI ROMA” IN ROME, PIAZZA AUGUSTO IMPERATORE 30
ReplyDeleteWith reference of your article, I have the pleasure to tell you the history of my grandfather Alfredo Di Lelio, who is the creator of “Fettuccine all’Alfredo” (“Fettuccine Alfredo”) in 1908 in the “trattoria” run by his mother Angelina in Rome, Piazza Rosa (Piazza disappeared in 1910 following the construction of the Galleria Colonna / Sordi). This “trattoria” of Piazza Rosa has become the “birthplace of fettuccine all’Alfredo”.
More specifically, as is well known to many people who love the “fettuccine all’Alfredo", this famous dish in the world was invented by Alfredo Di Lelio concerned about the lack of appetite of his wife Ines (my grandmother), who was pregnant with my father Armando (born February 26, 1908).
Alfredo di Lelio opened his restaurant “Alfredo” in 1914 in Rome and in 1943, during the war, he sold the restaurant to others outside his family.
In 1950 Alfredo Di Lelio decided to reopen with his son Armando his restaurant in Piazza Augusto Imperatore n.30 "Il Vero Alfredo" (“Alfredo di Roma”), whose fame in the world has been strengthened by his nephew Alfredo and that now managed by me, with the famous “gold cutlery” (fork and spoon gold) donated in 1927 by two well-known American actors Mary Pickford and Douglas Fairbanks (in gratitude for the hospitality).
See also the website of “Il Vero Alfredo”.
I must clarify that other restaurants "Alfredo" in Rome (as Alfredo alla scrofa or Alfredo’s gallery) do not belong to my brand and are out of my family tradition of "Il Vero Alfredo – Alfredo di Roma".
I inform you that the restaurant “Il Vero Alfredo –Alfredo di Roma” is in the registry of “Historic Shops of Excellence” of the City of Rome Capitale.
Best regards Ines Di Lelio